[idea]
One Letter
by Mike Paul-Anthony
Leaving the car where I sat and drove to the house of a friend, it occured to me that by changing
one letter of any given word one might extract a new meaning, just like by
augmenting or diminishing my conscience/scope a new light might be shed
on my current mood and/or situation.
That notion being freshly thought, and my sadness
being (or nothing) of the deep dark abyss type, I began to wonder whether or
not this black-hole-paralleled-with-infinite-possibility type of reasoning
might not in fact save me from another ill-spent day of getting high and
wrapping myself up in a comfortable blanket of happy thoughts and memories of
joy (which are sparse).
So I concocted an
a priori synthesis of
imaginative goodness that I could project toward my company. A mission
of selfless Christian-type charity that would surley increase my prestige
amongst my peers. I was going to smile and take the appearance of a
joyful constitution.
It worked. They were all happy to see me.
HAPPY!!!!!!!
—Mike Paul-Anthony hails from Canada. He'd probably be happy to read emails sent to amajorminor@yahoo.com

e
by Titus Toledo
I. Another Day
When he woke up, he knew he was already dead, only
he
did not know it would come out like this: He thought things would be
different—a different time, say, a different place, a different person.
It
surprised him that things appeared the same.
He felt the same.
He felt nothing, which about summed up how he felt
all
his life—which was nothing.
For a while, he lay there without moving. He
figured the
exercise might prove him wrong. He shut his eyes and tried to picture
the
events as they happened, if they happened. There was no point really.
Clearly he remembered it all, one fact after the other. And: even if
granted
he remembered wrong, the evidence was all over him.
He was dead all right, as dead as they come.
He slipped out of the covers, sucked on a
cigarette, and
showed himself out into the warm morning sun.
II. Detail #1 From A Painting By Hieronymus Bosch
Who are you?
That is not important.
Why did you come here?
That, too, is not important.
Are you going to hurt me?
Why do you ask?
I need to know.
You don't want to know.
Why not?
You just don't.
III. Transmigration
Something crashing wakes me. Or was I screaming? I
cannot tell.
It may be that I am dreaming again.
It may be that I am only dreaming again.
It may be.
IV. Hell
He opened the window and leaned out to see what the
noise was all about.
The icy wind bit his face.
Four floors below, sirens blinked and blared.
What time is it, anyway?
He did not have his watch on and for a while he
wondered
about it. It was never his habit to take his watch off, not even in the
shower. It was a black Rolex he wore, and it had a luminous dial, so
that in
the dark it glowed. It's a fifty peso Rolex for christsakes!
The alarm clock on the bedside table told him it
was
half past four.
There was no point going back to bed, really. He
had to
be up by six, besides.
He thought about the coffee from across the street
which
was strong and hot and good.
Outside now, it was colder than he expected.
He lit a cigarette and joined the crowd that had
gathered in a circle.
At the center of the circle in the middle of the
street
lay the body. It had been covered with white linen.
"Do you think he'll make it?" the woman said.
"Nobody makes it that high," said the man who was
with
her.
"What did you tell them?" the woman said.
"Just what we saw."
A pair of paramedics cut through the crowd and
moved in
dragging a stretcher where the body still lay covered with a sheet of
linen
that was not so white anymore. The two took their time getting the body
onto
the stretcher because now it was a bloody mess and they did not want
the
blood in their uniforms.
"What happened here?" said an old man who had just
joined in.
"Suicide," the husband said.
"I knew it."
"He came straight down from up there just like
that,"
the husband said.
"Yes? Oh well, we get them all the time," the old
man
said.
"Pardon me?" the wife said.
"Jumpers. Every now and then, it happens." He wore
a
pair of black rimmed spectacles with thumbsized lenses so thick they
looked
like tiny cloudbursts ripe with rain: "That's number three," the old
man
said.
"That's a handful," the husband said.
"It's the weather."
"What about weather?"
"Yeah, what about it?" said the punk who appeared
as if
from nowhere.
The woman moved back leaning close to her husband
who
turned to look at the character beside them: The skinhead was short and
smelling of coconut and gin. He had sixteen rings all over his face
that
made him look like a Japanese pin cushion. Apart from that, he looked
almost
infant.
The old man waved a hand and did not answer.
The punk appeared bored and walked away.
The crowd from the other side parted giving way to
the
two paramedics who were now about to wheel the stretcher across the
street
beside the lamppost where the ambulance waited.
Nearby, a policeman stood drinking coffee from a
styrocup talking to the driver who sat on a hump by the sidewalk.
The body was now gone but a few still stood there
in the
middle of the road looking down at the bloody spot.
"You know what's strange?" said the man with the
woman
who was now looking cold and pale and weak.
The old man drew his jacket tight around him.
"That guy there did not just jump. It did not look
to me
like he was just jumping to his death."
"What did it look like?"
"I don't know. I must be seeing things." He looked
at
his wife and then back at the old man who said nothing."Tell you what,"
he
continued. "I know it sounds crazy but for a second there I thought I
saw
the same guy come out of that building just moments after the cops came
in
and then suddenly he was gone." He looked at his wife. "You saw him,
too,
right?"
She did not answer.
"Well, we could be wrong."
The woman held him close and held him tight: "Let's
go
home."
Just then the ambulance swung shut and came to
life.
The noise was impossible.
A cop walked over followed by two other cops who
proceeded to remove the roadblocks.
"Show's over, people! That's all for now ..."
The couple hurriedly turned and walked away without
looking back, followed by the old man with the thunderstorm glasses who
disappeared inside the twenty-four cafeteria.
The rest drifted in a daze looking a lot like
Sunday
strollers after a very long and bad movie.
V. Detail #2 From A Painting By Hieronymus Bosch
Who are you?
Who do you want me to be?
Why did you come here?
You tell me.
Are you going to hurt me?
Should I?
VI. Differential Parallax
Things that may or may not happen today:
The police pays you a visit.
The police forgets to pay you a visit.
The police forgets to pay.
There is empanada on the breakfast table.
The electric fan breaks down.
M comes and buys you a beer.
There is sugar but no coffee.
The Pope is taken hostage.
We all go to the mall.
The computer finally crashes.
There is money in the mail.
The phone rings.
The phone never rings.
The phone rings but nobody answers.
You eat the neighborhood dog for pulutan.
You eat the neighborhood for pulutan.
The president resigns.
The president never resigns.
The president resigns but nobody believes her.
A fire breaks out in the apartment building.
Mount Mayon erupts.
Three children die of suffocation.
Mount Apo erupts.
The victims' identities remain unknown.
Mount Pinatubo erupts.
The cause of the fire remains uncertain.
Mount Arayat erupts.
Another blackout.
You finish the book.
The book finishes you.
You get a haircut.
There is news of another coup.
After five years, your brother goes back to his
loving
wife and daughter.
The price of fuel goes down.
A spy camera shows the mayor shoplifting.
Ginebra San Miguel is still 20 pesos.
Elvis is sighted in a flea market on Apu Chruch.
Adolf Hitler is sighted somewhere on Fields
Avenue.
You discover Rizal is dead.
The docter tells you you've got a brain tumor the
size
of China.
The first Chinaman walks on the moon.
Suddenly bellbottom is back.
Somebody you do not know leaves you a substantial
inheritance.
For some reason the migraine stops.
Nothing happens at all.
Day turns into night and night into day.
The sun implodes and swallows up the moon.
The moon explodes and ejaculates the sun.
Dinner will be served at 8.
You smoke a joint.
Everyone watches TV.
VII. Minotaurology
"What's yours?"
"Give me a beer!"
He poured it and held the glass in his hand.
"I can't drink that!" the boy said, looking smug.
He cut the top off and held the glass in his
hand.
The boy laid the money on the wood and when the
barman
saw it he gave him the beer.
Inside the Café, the chairs still perched atop the
tables except where the old man sat at the far side of the room where
the
draft was even and it was not so cold. It was still too early in the
morning
and there were no other customers apart from the old man and the boy
who now
sat at the counter.
"You're eighteen?" the barman asked.
The boy lit a cigarette, blew it, and took a
swig.
"So what do they call you? Ringo?" the barman
said.
The boy was about to make a move but he knew
better.
The barman was not that big but his eyes looked
like he
would enjoy the exercise. The boy knew enough not to give the man
the
pleasure but now it was too late.
"You got a problem?" the boy said. The words came
and
went and there was no way to take them back.
"Leave him be, Sonny," said the old man who sat at
the
corner close to the wall. "I think we've had enough for tonight."
The boy found his face pinned against the shiny
mahogany. He looked up at the barman who had him by the ear.
"Let it go," the old man said.
"You know Ringo here, Mr. Manolo?"
"Yes, yes."
The boy's ear bled badly and the barman did not
want any
of the blood staining his wood.
"You punks stay the hell off my place you hear!"
the
barman said. He grabbed the boy's neck but before he could straighten
him up
the boy pulled away and moved back.
"Tell the rest of your girlfriends you are not
welcome
here!" the barman said.
The boy took one look at him and dashed out without
saying a word.
The barman went after the boy and called out: "Hey
Ringo!"
"Let it go, Sonny," Mr. Manolo said. "He's just a
kid.
And besides, we've had enough for tonight."
Sonny stood outside the door, looking.
For a while he felt bad. He couldn't help it. He
did not really mean to chase the boy out like a dog. Why the hell would he? He made his
point, and that was that. He only meant to give him back the
earring.
"Dont you think we've had enough for tonight?" the
old
man said. "We'll I think we've just about had enough for tonight," he
continued. "I think we've just about had enough of that every night. I
think
we've had enough of it." He was no longer talking to him.
Sonny stood there for a long time watching the
shadow of
the boy as it staggered along the sidestreet skipping past the dead
lamppost
and up into an alleyway until all he could make out in the black
vastness
that lay beyond was the fakely faint glimmer of the boy's Rolex
flickering
out like a tiny dying star skittering into the dying night.
He'll be back. They always come back. He felt the
metal
biting inside his fist.
VIII. Detail #3 From A Painting By Hieronymus Bosch
Who are you?
I don't know.
Why did you come here?
I don't know.
Are you going to hurt me?
I don't know.
What do you know?
I don't know.
IX. Skinner
"The messiah will come only when he is no longer
necessary"—Kafka
Fifty-thousand volts of live electricity surged
across
the switchboard past an opening behind the wall and into the room where
it
snaked up a chair lighting up the man who sat there like a bulb.
He was thin. He was a sack of skin.
"Now tell me where he is?"
"I have told you everything I know."
"You tell me nothing!"
"I have told you exactly what I told the officer
who
came before you and the others before him."
"You told them nothing!'
"I told them all."
"You tell us shit!"
"I tell you the truth but you do not hear."
"The truth? Come now--"
Earlier, he had tried to be nice, even tried
bribing him
against his better judgment. His superiors had been very particular
about
it, advising him that this was a "special" case requiring "special"
treatment. "Remember we have no use for him dead. Maybe you can try
to be
nice for a change."
He did try, and he was still trying.
The Officer squinted at the lone light bulb that
hung
low and made a circle over this physical novelty that now sat before
him.
The man was almost skeletal it made you wonder
whether
you could actually see through him if you held him close enough against
the
light.
"Tell me, what good can this do for you, holding
out
like that?" he finally said.
"I hold nothing," the skeleton said.
"One of your comrades has already spoken, and he
has
spoken plenty."
"Let him sing."
"He tells us it is you!"
"He speaks the truth."
"How so? There is honor even among thieves."
To this, he had nothing to say.
"You realize, of course, that we will hang him
shortly."
Again, he said nothing.
His orders were exact: "Get the leader. Leave
the
rest alone. We cannot afford to round them all up, do we? We need to
keep it
quiet. Real quiet. Cut the head and the body will fall." The tip
was as
good as it got and it did lead them straight to their hideout. But the
deal
was for the leader and the leader alone: The man everybody feared. And
now
this—
"Look, my friend, It is really up to you. We can do
this
all night. Or, we can all go home to our families. Now tell me, where
is
he?"
"You are looking at him right now."
"Puta!"
"I have been telling you the truth all along but
you
refuse to believe."
"I refuse to believe? Believe what?"
"The truth. Nothing more"
"What truth? That you are The Leader? The most
wanted
man on earth? The enemy of all states? The One before whom all
governments quaver? What do I look like to you? A fool? You cannot be
the
head of the Radical 12! You can never be the head of the Radical 12?
Now
tell me where he is?"
“I do not have to. He is already here.”
“As you wish.” The Officer raised a hand and again
the
man lit like bulb.
For a moment, the Officer thought he was looking at
a
broken lantern.
The lantern flickered like all lanterns do before
they
finally come to life, only this particular lantern was broken so you
did not
exactly expect it to burn so fast.
"Remember we have no use for him dead."
It took a full minute before the Officer lowered
his
hand, killing the shattering noise that crept across the room. The
Officer
took the bottle of ammonia and held it to the man's nose who shook and
straightened up.
"Good morning," the officer said. "Sleep well?"
The man twitched and strained to keep his head from
falling. He was too weak to speak and there was really nothing to
say.
The Officer held the bottle and again it
straightened
him: "Don't worry, you'd be getting plenty of sleep soon enough," he
said.
"You'd be getting all the sleep you want sooner than you think if you
don't
tell me what I need to know." He paced the floor, hands on his back.
"So
now, for the last time, tell me where is he?"
"I'll tell you." the man said groggily. "I'll tell
you
exactly where he is right now."
"All right, tell me!"
"I'll tell you exactly where to find him and
more"
"That's my boy!"
"There—" said the man, pointing at the direction of
the
wall.
"Where?"
"You can find him there," the man said. "There:
between
those walls and outside where I imagine it is warm and sunny and
bright. And
what if it is raining? What about the rain? The rain is also good and
it
cleans us all, and he is there. Even here: inside this very room, in
the
very air we breathe, and in every dust that lands on your face, your
skin,
the sweat before it breaks out of its pore: every particle contains
him—every strand of your hair, every vein in your body, every thought,
every
word, every breath! You need not seek him because he has already found
you!
He is already there in your heart and yet you do see! How can you be so
blind when all along it had been staring you in the face? Open your
eyes!
Look around you! You want the truth and I give it you. He is here, he
has
always been here: in us, through us, with us, about and around us. How
can
you miss it when he is everywhere? Break a bone and there you find him!
Spit
and there he swims! He is there in your guts and you know it, and in
your
loins, even in your shoes, the space between your toes, in the food we
eat,
he is there in your shit ..."
The Officer stood watching the man through the
one-way
mirror. He had long since left the room and now he was puffing on a
cigar.
Behind him, two guards sat writing on the table by the window. For a
while,
the Officer watched the skeleton strapped in the other room babbling
on. He
shook his head and turned to the two guards who now stood in attention.
"Boys, tell Pilate, my job here is done. We have no use for the man."
The guards assumed the position and went about with
whatever it was they were up to.
The Officer quietly left and shut the door behind
him.
X. On Pascal's Law of Communicating Vessels
Everything here will kill you: Coffee will kill
you.
Smoking will kill you. Drinking will kill you. Junkfood will kill you.
The
weather will kill you. TV will kill you. Books will kill you. The
movies
will kill you. Jazz will kill you. Drugs will kill you. Work will kill
you.
Marriage will kill you. Kids will kill you. Money will kill you. Tax
will
kill you. Traffic will kill you. The government will kill you. God will
kill
you. The Devil will kill you. Religion will kill you. Jesus will kill
you.
Buddha will kill you. Science will kill you. Time will kill you.
Talking
will kill you. Silence will kill you. Writing will kill you. Love will
kill
you. Sex will kill you. Art will kill you ...
—Titus Toledo is long dead. Long live Titus Toledo!