spread is new underground exploratory art and literature in the new medium

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hitman

f o r e w o r d

Issue XV: Hit



p o e t r y

Pfft
I.
-Shut Up
-Dodoism
-Pfft the Tragic Dragon
-Outrage in a Bottle
-Back in Line
II.
-When Boy Nocturno Met Bella Luna
-Memory of Stars After the Plaza
-Here's the Deal
-Bed In
-Fall of One
III.
-Blank Weather
-To Miss that First Tree
-My Lips are Healed
IV.
-Quack Advice for the Would Be No More
-The Difficult Subject of Burying a Poet

FINGER.


Two Poems
-My Melancholy Sunshine
-Muted Love Symphony in the Big Easy Drizzle

FINGER.


Sonnet 12
FINGER.


Doing Game
FINGER.




p r o s e

[idea] One Letter
FINGER.


e
FINGER.




















f o r e w o r d




Issue XV: Hit

What a word to name this issue. "Miss" is rather apropos. This issue's lateness (not again?!) is an inexcusable let down. Unsurprising if scores of spreadniks have by now given up missing this vehicle and boarded instead any gravy train coming on the information network. The contrite (lately undynamic) duo behind spreadTitus Toledo and Rosendo Makabali—beat their breasts in atonement and profusely bleed here their individual pieces to coalesce and compact with the sheddings of steadfast co-conspirators on hand—Tony Nesca, Davis Schneiderman, Jerry Vilhotti, Mike Paul-Anthony—to vigorously hit towards new underground guerrilla exploratory art + literature in the new medium.

Bringing up the poetry section are Makabali, Nesca, Schneiderman, and Vilhotti.Makabali's verses creak from elemental tensions of logos, eros, and thanatos. Schneiderman's matter-of-fact take on the Bard of Avon is a toss-up between frivolous and marvelous, dada and gaga. Laidback blues and jazz permeates in Nesca's poetry; the lines trippingly distil the otherwise sad or wry quality of incidental drink, sex, smoke, music, and light. While Vilhotti's poem lets us in on gods from mythology appreciating the doings of mortals in fierce tug-of-fate against one another, like shuffled game pieces on history's board—only the puzzle demands no solution, so it stays a littered slate of war, death, ignorance, lust, disease.

Raising the sphere of fiction are Paul-Anthony and Toledo. A streamlet of consciousness carries Paul-Anthony's prose piece. His persona's stake at happiness derives strength from the precious mundane. Lastly, is Toledo's story series (more like a textual montage) of arresting scenes and dialogues and catalogues that peak at a hard-hitting film noir recast of a 2,000-year-old tableau of divine dissent and redemptive indifference—but then the entire thread abruptly drops, disintegrating into inexorably disgruntled groans.



















p o e t r y




Pfft
by Rosendo M Makabali


I.

Shut Up

To have daisies tattoed on your tongue
Like it makes up for the unspoken
When lips leave nothing much to be read
And timing's rather off or too late
Bittersweet candy you cram in cheek
Something to simply stick out in place
Of the mouthful to get off your chest


Dodoism

Let not what we're doing be done as
Though we're dressing up for history
How we want to be remembered by
And that's how we're doomed before our time
Take the Dodo, that never cared for
Confidence - just the way it's been built
Take us, we love, we hate - and we're good


Pfft the Tragic Dragon

You come around once every twelve years
Break china, unintentionally
That's your blameless nature; you're wedded
To brute entrances - but meek, luckless
Inverse of all lore you usher in
Your wings are dead weight, your claws are blunt
You shed ashes not scales, you turn tail


Outrage in a Bottle

I remember when I was drowning
Something happened I did not mean to
God or Gulliver, treading plankton
Tripped on my shell, cursed me back to life
Other creatures balked at what to do
With me; word got around, I remained
Nameless, vagrant off Galapagos


Back in Line

Too long early have I stood in line
I had to take a punch in the gut
To convince me when my turn came up
I felt eternity, but she was
So soon done with me; I find myself
Back in line, lately wondering still
In my ridiculous nakedness


II.


When Boy Nocturno Met Bella Luna

She may depart if it gets too dark
Sadness hardly is a shared device
The score is one bum to a lamppost
A park bench may take a whore along
But no more per incidental ease
The night is long and the street appeals
You might go yet where she will follow


Memory of Stars After the Plaza

"Dominique," she invents her name here
Like when I introduce myself, "George"
Now the night's no fiction, however
The doom I enact, the wounds she heals
Are real; we breathe in the weakest
Of light decanted in this chamber
Mug of beer and Sinatra streaming


Here's the Deal

I make no claims; I don't even have
A clue to what this moment's made of
Surely it's not about us spending
Lifetimes together, you must agree
With that out of the way, let's get on
With the partaking of the tender
Little we amount to each other


Bed In

No more tears; let's do right by morning
No squinting now, it's only sunup
No one's too hung over to hear birds
Do their thing; let's do ours one more time
Let's away with the sheets and cavort
In bed; God and Serpent can wait out
In scrimmage, disrupting dew and sap


Fall of One

I miss the moment (not yet a song
But leading me on, as though I had
The ear for the imperishable)
Of you catching (already a dance
By fierce default carefree, but mindful
As when memory takes its first step)
You leave all up to me, the falling


III.


Blank Weather

The weather is very fine today
So calm, as though we need it this way
The first creatures must have felt it too
Without memory whatsoever
Of God on a raging roll to let
There be - here we are, rocking gently
In the eyestorm of eternity


To Miss that First Tree

I am given food - and I wonder
How long I should have my godhood on
I drink up the weather - but still I
Cling to no coat and swear by no code
To miss that first tree may diminish
All other trees - and there will further
No sitting be, but under the stars


My Lips are Healed

My lips are healed - and where are the words
I need to confess or prophesy?
It seems I have lost the urge to speak
I keep a heart instead to listen
Not for murmurrings from past hurts - no
Not for intimations to hubris
My only lesson to learn now is


IV.


Quack Advice for the Would Be No More

Now this day is not one that loses
Itself in details - there is a book
Handy that shows more than fifty ways
To live if it were indeed your last
You ought to leave well enough alone
A sealed prequel to pick up next day
The world knocks for quality ghostings


The Difficult Subject of Burying a Poet

First we sift through his things: say a comb
Toothbrush that beg notice from disuse
Next we plumb the family for truths
Lies: What about his fetish for bugs?
Did he do drugs? Did he do what at
All? Then we dig into his life's work
(We prefer having never read him)

—Rosendo M. Makabali does editorial chores for spread and eK!, a web-exclusive Kapampangan journal of ideas. He has published poetry in several Philippine print magazines and online in past issues of spread and The Makata Some of the pieces above appear in Slam the Body Politik, the Revolutionary Multi-Arts, Multi-Media CD ROM released in 2004 by the Australia-based Synaptic Graffiti Collective . A chapbook of his, Last Words and Other Poems, came out in 2005, as a grant under the UBOD New Authors Series project of the National Committee on Literary Arts (2001-2004) of the National Commission on Culture and the Arts (Philippines). Email him at birdandegg@yahoo.com.











Two Poems

by Tony Nesca


. 1. My Melancholy Sunshine

rain just finished
slick sidewalk tasty-sweet
neon sign singing end of days
guitar chainsaw deadly as bass goes dum dum
night alive on fire in love man,
the rezillos cranking the stage-dive-electric
shoes tapping a beat sidewalk-hooker-happy,
round face beauty we smiling kiss kiss
you so sweet girl nicotine-teeth lovely
vodka 7 in the red-light-madness,
early morning gray waiting in the
distant bottle rocket street corner,
what do you say punk-rock-crazies?
what do you say in the dark night wanting,
what do you say on the slick corner tasty-sweet,
what do you say on the blue moon missing,
what do you say baby,
what do you say 'bout my melancholy sunshine ...


Muted Love Symphony in the Big Easy Drizzle

empty pen on table
concrete walls in my body
bearded man blows the saxophone
politician says alright slickster
head feeling down-low
world news grim
purple moonshine out the window
I watch the timewheel rotation moving easy
henry miller he got some wild ass cockroach-sexy
he smilin' like satchmo in the big easy drizzle
I smilin' like ella she giving me sweet ass
one I love misbehavin' cuz it's me and my radio
world singing the muted-love-symphony
it's rain on your sunshine
it's no idea in the urban indifference
it's love in dark corners
it's angry-jack in the wildman blues song
it's me and you holding hands in the forever-happy
unforgiving
celebration …

—In the title of his second poem, Tony Nesca appropriates The Big Easy (1970), a novel by James Conaway. His bigger work is, yes, Work Symphony (New Orleans: New Orleans, Louisiana). Read more on Tony's thoughts at www.tonynesca.blogspot.com













Sonnet 12

by Davis Schneiderman


schneiderman's sonnet 12

—Davis Schneiderman is a multimedia artist and author of Multifesto: A Henri d' Mescan Reader (Spuyten Duyvil 2006), as well as co-author of the novel Abecedarium (Chiasmus Press, forthcoming) and co-editor of the collections Retaking the Universe: William S. Burroughs in the Age of Globalization (Pluto 2004) and The Exquisite Corpse: Creativity, Collaboration, and the World's Most Popular Parlor Game (Nebraska, forthcoming). His creative work has been nominated for a Pushcart Prize and accepted by numerous publications including Fiction International, The Chicago Tribune, The Iowa Review Web, Exquisite Corpse, 3rd Bed, Other Voices, The Little Magazine, Gargoyle, and Happy. Dr. Schneiderman is Chair of American Studies and an Assistant Professor of English at Lake Forest College, a board member for NOW: A Festival of Innovative Writing and Art, and a contributor to NOW WHAT: a collective blog of alternative prose writers and publishers. Know more about him and his work at http://nowwhatblog.blogspot.com/. He gets his regular mail at Box K11, Lake Forest College 555 North Sheridan Road, Lake Forest, IL 60045-2399, and his email at schneiderman@lfc.edu. Inquiries for advance copies of his Multifesto: A Henri d'Mescan Reader may be made at http://www.spuytenduyvil.net/index1.htm, http://www.lakeforest.edu/academics/faculty/dschneid, and http://potionmag.org/













Doing Game

by Jerry Vilhotti


. "Why didn't the big-ass large-belly cave master tell
his uniformed mortals to bring out their flip down black
glasses so Helios could not get involved in their
thing? Did he lose his native intelligence?" Zeus
said while watching this thing playing itself out on
what was once Gaea's pristine earth.

All the Greek gods participating in the discussion
took huge bites from their thick Sicilian or thin
Neapolitan pizzas they had bought on Third Avenue from
Deo's pizzeria which in a few years would become a
bucket of blood; serving just booze and brawls. Though
the gods could have stolen the outrageously expensive
foods, drinks and other delights being dangled in
front of the eyes of children but their pride
compelled them to smuggle their own sustenance inside
the House that the Bambino built.

"How do you suppose this Fourth New World Order
country - admirer of the Hitler during the thirties so
terrified of the Red Menace they were—ever manage to
kill native intelligence? Why it's like stealing from
minds the ability to cross streets, ride a bike and
have sex or see through the lies their so called
leaders are handing them—convincing them to give up
their children as sacrificial lambs to greed and power
while forgetting their primary responsibility—after
the joy of copulation - was to protect the fruit of
their labor?" Prometheus said.

"Sundry ways. Firstly, in the big inning take men out
of the picture of being teachers since they were the
bread winners and inject women and insist they could
not marry and would be more than willing to take half
pay to baby-sit for that's mostly what many can do
since they would not be allowed to get a "real
education" forced to take courses at a Normal School
whose books were the ones third graders used to learn
their history of being the greatest and taken from the
ranks of hyphenated Americans who would be most
threatened by the next wave of Barnum people coming to
a land thinking its streets were paved with gold and
not blood, sweat, tears, and feces. And this is why
one political party here in this place called The Land
of the Homeless and Free of the Brave blunders often
thinking since most of them graduated from Community
colleges while their opposing colleagues who are
sleeping in the same bed and both are bilking
so-called voters and patriots out of billions of
dollars a year while the "riffraff", and that's what
they really think people are, go hungry and dying for
lack of good medical care graduated from the elite
schools; one rabbi said humanity is getting dumber and
dumber by the day and truly believe their First
Testament God Who wanted skin circumcised much of the
world with His one hundred foot clipper; secondly,
have greed replace the second God Who also wanted skin
but said he loved everybody and would send his son to
die for everyone's sin. I guess He meant the stain on
the soul manifesting their inner weapons of mass
destruction. All religions failed in convincing
people they had self-worth so able to kill so-called
inferiors that much easier; thirdly, have forms of
governments that were not truly what they were said to
be like a democracy that wouldn't let women, blacks,
and non-owning land beer drinkers vote in elections
and yet be arrogant enough to say the greatest country
ever invented in the minds of the founding fathers
peering out of the eye of a pyramid inside a dollar
bill would teach the world how to do what it could
never do for itself: give the world democracy and a
representative type of governing that had the
representatives being protectors of corporations and
the wealthy and yet convincing the masses as they were
losing all their safety nets that they were doing very
well despite their incomes decreasing threefold;
fourthly, telling them that if they opted for unions
their Bibles would be taken away and initially
convincing religious leaders to tell their women
because they bled they could not be of equal status
and those males that had "the calling" that they could
not marry so saving lots of money spent foolishly on
suffer the little children and other familial items
like eating of food and sheltering from the elements.
Money that eventually replaced the second God Who
really believed love would give birth to compassion so
making for a race of humans that could live within its
own skin comfortably!" Eros said.

Like a child who was given more information than he
was asking for, Zeus began looking into the stands—
joining the uniformed mortals peering over the roof of
their caves in the activity of "beaver sightings" as
the game played on and on and on.

—Jerry Vilhotti explains himself: "I was born a hyphenated American in the East Bronx-where Poe once walked with all his demons—coming in on a crash landing and now I live in a simpler place in time with my beautiful wife among the Litchfield Hills where the ghosts of Twain, Harriet Beecher Stowe, and John Brown walk. I have been published in literary magazines in the USA, Greece, India, Ireland ... I do a mean slow dance and, almost as good, an invigorating stroll. My eyes are the color of wine, semi-sweet."





















p r o s e




[idea]
One Letter

by Mike Paul-Anthony


Leaving the car where I sat and drove to the house of a friend, it occured to me that by changing one letter of any given word one might extract a new meaning, just like by augmenting or diminishing my conscience/scope a new light might be shed on my current mood and/or situation.

    That notion being freshly thought, and my sadness being (or nothing) of the deep dark abyss type, I began to wonder whether or not this black-hole-paralleled-with-infinite-possibility type of reasoning might not in fact save me from another ill-spent day of getting high and wrapping myself up in a comfortable blanket of happy thoughts and memories of joy (which are sparse).

    So I concocted an a priori  synthesis of imaginative goodness that I could project toward my company. A mission of selfless Christian-type charity that would surley increase my prestige amongst my peers. I was going to smile and take the appearance of a joyful constitution.

    It worked. They were all happy to see me. HAPPY!!!!!!!

—Mike Paul-Anthony hails from Canada. He'd probably be happy to read emails sent to amajorminor@yahoo.com











e

by Titus Toledo


I. Another Day

    When he woke up, he knew he was already dead, only he did not know it would come out like this: He thought things would be different—a different time, say, a different place, a different person. It surprised him that things appeared the same.

    He felt the same.

    He felt nothing, which about summed up how he felt all his life—which was nothing.

    For a while, he lay there without moving. He figured the exercise might prove him wrong. He shut his eyes and tried to picture the events as they happened, if they happened. There was no point really. Clearly he remembered it all, one fact after the other. And: even if granted he remembered wrong, the evidence was all over him.

    He was dead all right, as dead as they come.

    He slipped out of the covers, sucked on a cigarette, and showed himself out into the warm morning sun.


II. Detail #1 From A Painting By Hieronymus Bosch

    Who are you?

    That is not important.

    Why did you come here?

    That, too, is not important.

    Are you going to hurt me?

    Why do you ask?

    I need to know.

    You don't want to know.

    Why not?

    You just don't.


III. Transmigration

    Something crashing wakes me. Or was I screaming? I cannot tell.

    It may be that I am dreaming again.

    It may be that I am only dreaming again.

    It may be.


IV. Hell

    He opened the window and leaned out to see what the noise was all about.

    The icy wind bit his face.

    Four floors below, sirens blinked and blared.

    What time is it, anyway?

    He did not have his watch on and for a while he wondered about it. It was never his habit to take his watch off, not even in the shower. It was a black Rolex he wore, and it had a luminous dial, so that in the dark it glowed. It's a fifty peso Rolex for christsakes!

    The alarm clock on the bedside table told him it was half past four.

    There was no point going back to bed, really. He had to be up by six, besides.

    He thought about the coffee from across the street which was strong and hot and good.

    Outside now, it was colder than he expected.

    He lit a cigarette and joined the crowd that had gathered in a circle.

    At the center of the circle in the middle of the street lay the body. It had been covered with white linen.

    "Do you think he'll make it?" the woman said.

    "Nobody makes it that high," said the man who was with her.

    "What did you tell them?" the woman said.

    "Just what we saw."

    A pair of paramedics cut through the crowd and moved in dragging a stretcher where the body still lay covered with a sheet of linen that was not so white anymore. The two took their time getting the body onto the stretcher because now it was a bloody mess and they did not want the blood in their uniforms.

    "What happened here?" said an old man who had just joined in.

    "Suicide," the husband said.

    "I knew it."

    "He came straight down from up there just like that," the husband said.

    "Yes? Oh well, we get them all the time," the old man said.

    "Pardon me?" the wife said.

    "Jumpers. Every now and then, it happens." He wore a pair of black rimmed spectacles with thumbsized lenses so thick they looked like tiny cloudbursts ripe with rain: "That's number three," the old man said.

    "That's a handful," the husband said.

    "It's the weather."

    "What about weather?"

    "Yeah, what about it?" said the punk who appeared as if from nowhere.

    The woman moved back leaning close to her husband who turned to look at the character beside them: The skinhead was short and smelling of coconut and gin. He had sixteen rings all over his face that made him look like a Japanese pin cushion. Apart from that, he looked almost infant.

    The old man waved a hand and did not answer.

    The punk appeared bored and walked away.

    The crowd from the other side parted giving way to the two paramedics who were now about to wheel the stretcher across the street beside the lamppost where the ambulance waited.

    Nearby, a policeman stood drinking coffee from a styrocup talking to the driver who sat on a hump by the sidewalk.

    The body was now gone but a few still stood there in the middle of the road looking down at the bloody spot.

    "You know what's strange?" said the man with the woman who was now looking cold and pale and weak.

    The old man drew his jacket tight around him.

    "That guy there did not just jump. It did not look to me like he was just jumping to his death."

    "What did it look like?"

    "I don't know. I must be seeing things." He looked at his wife and then back at the old man who said nothing."Tell you what," he continued. "I know it sounds crazy but for a second there I thought I saw the same guy come out of that building just moments after the cops came in and then suddenly he was gone." He looked at his wife. "You saw him, too, right?"

    She did not answer.

    "Well, we could be wrong."

    The woman held him close and held him tight: "Let's go home."

    Just then the ambulance swung shut and came to life.

    The noise was impossible.

    A cop walked over followed by two other cops who proceeded to remove the roadblocks.

    "Show's over, people! That's all for now ..."

    The couple hurriedly turned and walked away without looking back, followed by the old man with the thunderstorm glasses who disappeared inside the twenty-four cafeteria.

    The rest drifted in a daze looking a lot like Sunday strollers after a very long and bad movie.


V. Detail #2 From A Painting By Hieronymus Bosch

    Who are you?

    Who do you want me to be?

    Why did you come here?

    You tell me.

    Are you going to hurt me?

    Should I?


VI. Differential Parallax

    Things that may or may not happen today:

    The police pays you a visit.

    The police forgets to pay you a visit.

    The police forgets to pay.

    There is empanada on the breakfast table.

    The electric fan breaks down.

    M comes and buys you a beer.

    There is sugar but no coffee.

    The Pope is taken hostage.

    We all go to the mall.

    The computer finally crashes.

    There is money in the mail.

    The phone rings.

    The phone never rings.

    The phone rings but nobody answers.

    You eat the neighborhood dog for pulutan.

    You eat the neighborhood for pulutan.

    The president resigns.

    The president never resigns.

    The president resigns but nobody believes her.

    A fire breaks out in the apartment building.

    Mount Mayon erupts.

    Three children die of suffocation.

    Mount Apo erupts.

    The victims' identities remain unknown.

    Mount Pinatubo erupts.

    The cause of the fire remains uncertain.

    Mount Arayat erupts.

    Another blackout.

    You finish the book.

    The book finishes you.

    You get a haircut.

    There is news of another coup.

    After five years, your brother goes back to his loving wife and daughter.

    The price of fuel goes down.

    A spy camera shows the mayor shoplifting.

    Ginebra San Miguel is still 20 pesos.

    Elvis is sighted in a flea market on Apu Chruch.

    Adolf Hitler is sighted somewhere on Fields Avenue.

    You discover Rizal is dead.

    The docter tells you you've got a brain tumor the size of China.

    The first Chinaman walks on the moon.

    Suddenly bellbottom is back.

    Somebody you do not know leaves you a substantial inheritance.

    For some reason the migraine stops.

    Nothing happens at all.

    Day turns into night and night into day.

    The sun implodes and swallows up the moon.

    The moon explodes and ejaculates the sun.

    Dinner will be served at 8.

    You smoke a joint.

    Everyone watches TV.


VII. Minotaurology

    "What's yours?"

    "Give me a beer!"

    He poured it and held the glass in his hand.

    "I can't drink that!" the boy said, looking smug.

    He cut the top off and held the glass in his hand.

    The boy laid the money on the wood and when the barman saw it he gave him the beer.

    Inside the Café, the chairs still perched atop the tables except where the old man sat at the far side of the room where the draft was even and it was not so cold. It was still too early in the morning and there were no other customers apart from the old man and the boy who now sat at the counter.

    "You're eighteen?" the barman asked.

    The boy lit a cigarette, blew it, and took a swig.

    "So what do they call you? Ringo?" the barman said.

    The boy was about to make a move but he knew better.

    The barman was not that big but his eyes looked like he would enjoy the exercise. The boy knew enough not to give the man the pleasure but now it was too late.

    "You got a problem?" the boy said. The words came and went and there was no way to take them back.

    "Leave him be, Sonny," said the old man who sat at the corner close to the wall. "I think we've had enough for tonight."

    The boy found his face pinned against the shiny mahogany. He looked up at the barman who had him by the ear.

    "Let it go," the old man said.

    "You know Ringo here, Mr. Manolo?"

    "Yes, yes."

    The boy's ear bled badly and the barman did not want any of the blood staining his wood.

    "You punks stay the hell off my place you hear!" the barman said. He grabbed the boy's neck but before he could straighten him up the boy pulled away and moved back.

    "Tell the rest of your girlfriends you are not welcome here!" the barman said.

    The boy took one look at him and dashed out without saying a word.

    The barman went after the boy and called out: "Hey Ringo!"

    "Let it go, Sonny," Mr. Manolo said. "He's just a kid. And besides, we've had enough for tonight."

    Sonny stood outside the door, looking.

    For a while he felt bad. He couldn't help it. He did not really mean to chase the boy out like a dog. Why the hell would he? He made his point, and that was that. He only meant to give him back the earring.

    "Dont you think we've had enough for tonight?" the old man said. "We'll I think we've just about had enough for tonight," he continued. "I think we've just about had enough of that every night. I think we've had enough of it." He was no longer talking to him.

    Sonny stood there for a long time watching the shadow of the boy as it staggered along the sidestreet skipping past the dead lamppost and up into an alleyway until all he could make out in the black vastness that lay beyond was the fakely faint glimmer of the boy's Rolex flickering out like a tiny dying star skittering into the dying night.

    He'll be back. They always come back. He felt the metal biting inside his fist.


VIII. Detail #3 From A Painting By Hieronymus Bosch

    Who are you?

    I don't know.

    Why did you come here?

    I don't know.

    Are you going to hurt me?

    I don't know.

    What do you know?

    I don't know.


IX. Skinner

    "The messiah will come only when he is no longer necessary"—Kafka

    Fifty-thousand volts of live electricity surged across the switchboard past an opening behind the wall and into the room where it snaked up a chair lighting up the man who sat there like a bulb.

    He was thin. He was a sack of skin.

    "Now tell me where he is?"

    "I have told you everything I know."

    "You tell me nothing!"

    "I have told you exactly what I told the officer who came before you and the others before him."

    "You told them nothing!'

    "I told them all."

    "You tell us shit!"

    "I tell you the truth but you do not hear."

    "The truth? Come now--"

    Earlier, he had tried to be nice, even tried bribing him against his better judgment. His superiors had been very particular about it, advising him that this was a "special" case requiring "special" treatment. "Remember we have no use for him dead. Maybe you can try to be nice for a change."

    He did try, and he was still trying.

    The Officer squinted at the lone light bulb that hung low and made a circle over this physical novelty that now sat before him.

    The man was almost skeletal it made you wonder whether you could actually see through him if you held him close enough against the light.

    "Tell me, what good can this do for you, holding out like that?" he finally said.

    "I hold nothing," the skeleton said.

    "One of your comrades has already spoken, and he has spoken plenty."

    "Let him sing."

    "He tells us it is you!"

    "He speaks the truth."

    "How so? There is honor even among thieves."

    To this, he had nothing to say.

    "You realize, of course, that we will hang him shortly."

    Again, he said nothing.

    His orders were exact: "Get the leader. Leave the rest alone. We cannot afford to round them all up, do we? We need to keep it quiet. Real quiet. Cut the head and the body will fall." The tip was as good as it got and it did lead them straight to their hideout. But the deal was for the leader and the leader alone: The man everybody feared. And now this—

    "Look, my friend, It is really up to you. We can do this all night. Or, we can all go home to our families. Now tell me, where is he?"

    "You are looking at him right now."

    "Puta!"

    "I have been telling you the truth all along but you refuse to believe."

    "I refuse to believe? Believe what?"

    "The truth. Nothing more"

    "What truth? That you are The Leader? The most wanted man on earth? The enemy of all states? The One before whom all governments quaver? What do I look like to you? A fool? You cannot be the head of the Radical 12! You can never be the head of the Radical 12? Now tell me where he is?"

    “I do not have to. He is already here.”

    “As you wish.” The Officer raised a hand and again the man lit like bulb.

    For a moment, the Officer thought he was looking at a broken lantern.

    The lantern flickered like all lanterns do before they finally come to life, only this particular lantern was broken so you did not exactly expect it to burn so fast.

    "Remember we have no use for him dead."

    It took a full minute before the Officer lowered his hand, killing the shattering noise that crept across the room. The Officer took the bottle of ammonia and held it to the man's nose who shook and straightened up.

    "Good morning," the officer said. "Sleep well?"

    The man twitched and strained to keep his head from falling. He was too weak to speak and there was really nothing to say.

    The Officer held the bottle and again it straightened him: "Don't worry, you'd be getting plenty of sleep soon enough," he said. "You'd be getting all the sleep you want sooner than you think if you don't tell me what I need to know." He paced the floor, hands on his back. "So now, for the last time, tell me where is he?"

    "I'll tell you." the man said groggily. "I'll tell you exactly where he is right now."

    "All right, tell me!"

    "I'll tell you exactly where to find him and more"

    "That's my boy!"

    "There—" said the man, pointing at the direction of the wall.

    "Where?"

    "You can find him there," the man said. "There: between those walls and outside where I imagine it is warm and sunny and bright. And what if it is raining? What about the rain? The rain is also good and it cleans us all, and he is there. Even here: inside this very room, in the very air we breathe, and in every dust that lands on your face, your skin, the sweat before it breaks out of its pore: every particle contains him—every strand of your hair, every vein in your body, every thought, every word, every breath! You need not seek him because he has already found you! He is already there in your heart and yet you do see! How can you be so blind when all along it had been staring you in the face? Open your eyes! Look around you! You want the truth and I give it you. He is here, he has always been here: in us, through us, with us, about and around us. How can you miss it when he is everywhere? Break a bone and there you find him! Spit and there he swims! He is there in your guts and you know it, and in your loins, even in your shoes, the space between your toes, in the food we eat, he is there in your shit ..."

    The Officer stood watching the man through the one-way mirror. He had long since left the room and now he was puffing on a cigar. Behind him, two guards sat writing on the table by the window. For a while, the Officer watched the skeleton strapped in the other room babbling on. He shook his head and turned to the two guards who now stood in attention. "Boys, tell Pilate, my job here is done. We have no use for the man."

    The guards assumed the position and went about with whatever it was they were up to.

    The Officer quietly left and shut the door behind him.


X. On Pascal's Law of Communicating Vessels

    Everything here will kill you: Coffee will kill you. Smoking will kill you. Drinking will kill you. Junkfood will kill you. The weather will kill you. TV will kill you. Books will kill you. The movies will kill you. Jazz will kill you. Drugs will kill you. Work will kill you. Marriage will kill you. Kids will kill you. Money will kill you. Tax will kill you. Traffic will kill you. The government will kill you. God will kill you. The Devil will kill you. Religion will kill you. Jesus will kill you. Buddha will kill you. Science will kill you. Time will kill you. Talking will kill you. Silence will kill you. Writing will kill you. Love will kill you. Sex will kill you. Art will kill you ...

—Titus Toledo is long dead. Long live Titus Toledo!